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Music by Anthony L. Sanchez (b. 1988) Photos by Simon Maage, Dayne Topkins, Frank Septillion, and Sašo Tušar on Unsplash Music available on Patreon: https://bit.ly/2JTA6e9
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for orchestra Music by Anthony L. Sanchez (b. 1988) Photo by Wes Hicks on Unsplash MIDI playback I consider this track to be an experimentation in instrumental layering, but within the confines of a short duration and looping. for orchestra and piano Music by Anthony L. Sanchez (b. 1988) Photo by Victor B. on Unsplash MIDI Playback I originally created this theme last year as part of a long soundtrack to accompany tabletop gaming sessions. When that project failed (because I had composed too many electronic tracks that made no sense), I went back and re-orchestrated the piece. This music is meant to evoke something from an RPG or MMORPG. for strings Music by Anthony L. Sanchez (b. 1988) Photo by Vitor Pinto on Unsplash MIDI playback Musical score available on Patreon: https://bit.ly/2T5NX8G These are the two complete pieces that I originally wrote as Counterpoint assignments as an undergraduate in 2010. Originally written for keyboard, I later changed the instrumentation to string instruments in February 2019: "Menuet," for violins and cellos "Sarabande," for strings (violins, violas and cellos) for string orchestra
Music by Anthony L. Sanchez (b. 1988) Photo by Daniel Roe on Unsplash MIDI Playback This is is the first in a series of pieces that I am writing and revising as possible video game music with different instrumentation. Each of these pieces will be quite short, so I will have them loop about 2 or 3 times and include a fade-out. for toy piano Music by Anthony L. Sanchez (b. 1988) Photo by Matthew T Rader on Unsplash NOTE: The MIDI Playback for these pieces uses a celesta instead of a toy piano, because Finale does not have a "Toy Piano" in their Instrument List. I originally planned for this work to consist of 5 to 10 sonata da camera (each with short "A" and "B" sections). However, I grew a bit dissatisfied with the strict serial method of composition and timbre and settled on the three pieces instead. While I had previously uploaded these pieces in separate videos, this current video serves as an electronically realized version of all three toy piano sonatas. They are meant to be performed on a 37-key toy piano. To see the time stamps for each movement in this video, click the video title below and view the "Comments" section on YouTube. for Baritone and Piano Music by Anthony L. Sanchez (b. 1988) Text by Percy Bysshe Shelly (1792-1822) Photo by Simon Matzinger on Unsplash NOTE: The music for this video uses MIDI playback. I used a cello sound for the recording to replace the annoying "Wah" effect of the vocal part in Finale. To see the full poem text (Public Domain) in the video description, please click on the title of my YouTube video. |
AuthorDMA. Composer of acoustic and electronic music. Pianist. Experimental film. Archives
April 2025
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